Project done at Antidote-design with Antoine Meier.
This book is about the swiss history, illustrated and laid out in a contemporary way. I worked especially on the second half of this project, final layout, ragging, files for production, etc.

Catalogue of the exhibition The Lost World of Old Europe: The Danube Valley, 5000-3500 BC.
One of the particularities of this catalogue is that all the objects, except for the chapter opener, are to scale and all the comparatives are in sepia (black and white).

This Poster was sent by mail to different Colleges, Universities and other Museums.

Invitation designed for the exhibition The Lost World of Old Europe: The Danube Valley, 5000-3500 BC at ISAW.

BRUCE NAUMAN: TOPOLOGICAL GARDEN, THE OFFICIAL U.S. REPRESENTATION at the 53rd International Art Exhibition—La Biennale di Venezia.

Most of the printed material is bilingual. In the catalogue, the italian text is set in two columns, the english text in one.

BRUCE NAUMAN: TOPOLOGICAL GARDEN, THE OFFICIAL U.S. REPRESENTATION at the 53rd International Art Exhibition—La Biennale di Venezia.

CoDe. New York was in charge of the whole visual identity for the U.S. Pavilion organized by the Philadelphia Museum of Art. Nauman’s work is shown at three different venues. The identity program included poster, banners, wayfinding, catalogue, handout, t-shirt, bag, invitations, press kit, exhibit graphics, etc. I worked on most of the material we created for this special international event.

Most of the printed material is bilingual. In the handout for the italian text a light background color was used.

CoDe. Communication and Design keep doing the whole communication for the Institute for the Study of the Ancient World.
Selected spreads of the Newsletter I designed — printed with two PMS.

I created this image treatment that was directly screen printed on the wall with the title and the main text for the Félix Candela Exhibition at the Princeton University Art Museum.
The concept and design of this exhibition was created by CoDe. Communication and Design, where I’m working at the moment.

Some selected spreads and details of the book made for the Frank Gehry On Line Exhibition at the Princeton Museum of Art. I worked on this book with Mischa Leiner — Code. Communication and Design.
This book has a special slip case made out of corrugated cardboard (as Frank Gehry uses for furniture) and has a cover made ouy brushed silver metallic paper with a translucent matte UV coating . The inside is printed with a fifth color, silver Pantone, to add the same feel as the cover design.

Another project done at CoDe. Communication and Design — New York.
I created and designed the logo and the whole corporate identity for Murphy and Dine Architects. We printed the business cards, letterhead and the rest of the stationery using letterpress.
I also worked on the the website design and others print materials.